Peggy Lee – All Aglow Again! – 180 Gram

TRACKS:

• SIDE A
• A1. FEVER
• A2. WHERE DO I GO FROMHERE
• A3. WHEE, BABY
• A4. MY MAN
• A5. YOU DESERVE
• A6. MAÑANA
• A7. BLACK COFFEE (*)
• A8. SUGAR (*)
• A9. I’M A WOMAN (*)
• A10. AIN’T WE GOT FUN (*)

• SIDE B
• B1. HALLELUJAH, I LOVE HIM SO
• B2. YOU DON’T KNOW
• B3. LOUISVILLE LOU (THAT VAMPIN’ LADY)
• B4. I’M LOOKIN’ OUT THE WINDOW
• B5. IT KEEPS YOU YOUNG
• B6. LET’S CALL IT A DAY
• B7. JOHNNY GUITAR (*)
• B8. THE FOLKS WHO LIVE ON THE HILL (*)
• B9. LA LA LU [From Lady and the Tramp] (*)
• B10. THE CHRISTMAS WALTZ (*)

• (*) BONUS TRACKS

• LIMITED QUANTITIES AVAILABLE!!!!!

• HIGH-DEFINITION PREMIUM VINYL PRESSING

• 180 gram VINYL –AUDIOPHILE PRESSING

• INCLUDES 8 BONUS TRACKS

Presented here is Peggy Lee’s original 1960 LP All Aglow Again! (Capitol Records T-1366), in its entirety. The album is a compilation of the singer’s greatest successes up to that date, including her glorious hit “Fever”.

According to AllMusic reviewer William Ruhlmann, “The point of this patchy compilation, released on Capitol Records’ discountpriced Starline series in 1960, seems to be to put Peggy Lee’s 1958 Top Ten single ‘Fever’ on an LP for the first time. The single’s B-side, ‘You Don’t Know,’ also appears, along with five tracks from singles Lee released in 1959: the old Fanny Brice signature song ‘My Man,’ which reached the singles chart as the B-side of ‘Alright, OK, You Win’; the charting cover of Ray Charles’ ‘Hallelujah, I Love Him So’ and its B-side, ‘I’m Lookin’ Out the Window’, and the non-charting single “You Deserve” with its B-side “Where Do I Go from Here.” Lee’s biggest hit, “Mañana (Is Soon Enough for Me),” from back in 1948, is thrown in for good measure, and the collection is padded out to 12 tracks by digging four previously unreleased songs from the vaults: ‘Whee Baby,’ ‘Louisville Lou (That Vampin’ Lady),’ ‘It Keeps You Young,’ and ‘Let’s Call It a Day.’ Despite this grabbag of sources, there are some excellent, if stylistically disparate, performances. Lee’s effervescent reading provides a light contrast to Charles’ on ‘Hallelujah, I Love Him So.’”